An Infinite Line: Brighton

three people in the dark look at a man touching a horse at the back of the stage

2008

The first in a series of projects that are created in response to the quality of natural light in different places

 
 
 

An Infinite Line Brighton installation 2008

An Infinite Line: Brighton was commissioned by the 2008 Brighton Festival, as an exploration of and response to the quality of natural light in Brighton. The project was in three parts: a site-specific performance piece, an installation of 8mm cine films, and a book.

THE PERFORMANCE

The performance of An Infinite Line: Brighton took place in a former print works in the centre of the city, in an underground space devoid of natural light. Rather than trying to recreate the light (why do this when the light itself is already so extraordinary?) the performance presented a series of images, soundscape, texts, actions and lighting events which combined to form a new visual landscape, one which evoked the sensual and subjective experience of the natural light, but didn’t describe it.

THE INSTALLATION

The installation for An Infinite Line: Brighton took place in the same space as the performance, during the day. It consisted of thirty 8mm cine projectors, projecting short films depicting the light falling on the natural and urban landscapes of Brighton. Ranging from the abstract (light as a wash of colour on the churning surface of the sea) to the literal (the mirror ball turning slowly on top of the pier) the films, projected onto blocks of chalk – like the chalk of the local cliffs – created a flickering and constantly changing environment of colour, light and sound.

THE BOOK

Created in collaboration with book designers Valle Walkley, the book version of An Infinite Line: Brighton is a collection of writings which describe in words the mercurial and ephemeral light as it changes across a day, across seasons, and across a year.

 
 

An Infinite Line Brighton live performance 2008

 

Meet the Team

Associate Direction: Sam Butler
Assistant Stage Management: Billy Hiscoke
Book Design: Valle Walkley 
Cine film projection, live sound: Mark Webber
Design & direction: David Harradine
Design & production management: Ali Beale  
Dramaturgy: Synne Behrndt
Horse Wrangling: Kevin Smith & Cindy Morris
Lighting: Jo Manser

Performers: David Leahy, Jamie Bradley, Jamie McCarthy, Laura Cubitt, Phoenix (the horse)

Stage Management: Beth Hoare-Barnes

 
 

An ambitious, impressionistic tribute to Brighton’s light and weather. A sensory, dreamlike show with some ingenious painterly coups de theatre.

Financial Times


 
 
 
 
 
 
 
 
 

Strongly evocative….the visual installations work beautifully and it’s hard not to be seduced by Harradine and his company’s vision.
The Independent

Like light, An Infinite Line is ever changing. Powerful and magnificent.
The Guardian

The performance has moments of surreal beauty and hallucinatory quality, much like the light itself.
The Argus

 
a woman dances in front of a screen, a man plays violin and a horse stands at the back of the stage
 

Commissioned By

Brighton Festival

 

Supported By

Arts Council England